verdant_fire: (shr: I've just got one)
[personal profile] verdant_fire
Title: Out There
Author: DiscordantWords
Pairing: Sherlock/John
Length: 131695 words
Rating: Teen
Verse: BBC
Author's summary: FBI Special Agent John Watson, medical doctor and army veteran, is assigned to assist eccentric genius Sherlock Holmes with paranormal investigations on the X Files project.

Reccer's comments: This fantastic X-Files fusion made me giddy with fannish glee.  I was wary at first, since I love both fandoms and wasn't sure if a mashup would work, but it actually works incredibly well, not least because DiscordantWords is such a skillful writer.  Seeing the way the two universes were mapped onto each other with creativity and confidence was immensely fun, and Sherlock and John and their relationship are the stars here.  Watching their growing trust in and necessity to each other is just as compelling as Mulder/Scully was back in the day, and I was rooting for them every step of the way.  It's an immensely entertaining, engrossing, and well-executed fic.  Happy new year, and happy reading!
[identity profile] chapbook.livejournal.com
Title: Endless Dream on Tumblr PDF Version (choose either the chaptered verison, or the single file)
Artist: NavyDream
Pairing: Sherlock/John
Length: 10 chapters, or 236 panels
Rating: M
Warnings: Major Character Death** (see spoiler-ish statement below if this worries you)
Verse: Sherlock BBC

Author's summary: [note: none given, so this is mine] John Watson, recently invalided from Afghanistan, finds his usual nightmare interrupted by a mysterious figure. When he stops dreaming altogether, John tries to get his dreams back, running headlong into an adventure that changes his life forever.

Reccer's comments: NavyDream demonstrates that BBC's Sherlock and Neil Gaiman's graphic novel series The Sandman work beautifully together. John and Sherlock are the primary focus, but Irene, Henry, Molly, and Lestrade are engaging minor characters. I'm not sure I should say much about which characters play which roles in this fusion to avoid spoilers, but I will share that John is a human being, whereas Sherlock is Morpheus.

ND clearly has experience with layout conventions of comics and manga, for rather than sticking only with a series of square panels, which could get monotonous, they play with panel numbers, shapes, and sizes in a way that supports the energy and dynamism of the twisty plot. Perspective and framing and other artistic elements further underline the mood and action of the narrative.

One pleasure of following this work over the months it was posted was watching the artist's skill and confidence grow. Some minor errors in grammar made it into the script, but I feel ND did fine for someone whose first language is not English. I look forward to seeing the artist apply what they learned in their new Sherlock/Dr. Who crossover comic!
-----

Note: Despite the major character death warning, I want to assure you that this does have a resoundingly happy ending for the main characters.
swissmarg: Mrs Hudson (Molly)
[personal profile] swissmarg
Title: The Beast of Baskerville
Author: faviconMildredandbobbin / [livejournal.com profile] mildred_bobbin
Pairing: Sherlock/John, Harry/Clara, others
Length: 74,550 words
Rating: Explicit
Warnings: Character death
Verse: Sherlock BBC
Author's summary: 15th Century/fairy tale AU. An invalided John Watson comes to the isolated village of Baskerville seeking shelter with his sister, only to find himself embroiled in a grisly murder. As the villagers point to a local werewolf legend, the odd but brilliant friar, Brother Sherlock, disagrees, and soon he and John are on the the trail of a very human murderer. As the killer takes another victim, fear and suspicion grips the village, culminating in the arrival of Inquisitor, Friar James Moriarty, who proves more terrible than any supernatural beast could ever be.

Reccer's comments: [livejournal.com profile] mildred_bobbin has written several great fics in this fandom, but this is definitely my favorite so far. It's a medieval AU which is a melange of the first two series of Sherlock, Umberto Eco's The Name of the Rose, Janet Lewis's The Wife of Martin Guerre and the 2011 Red Riding Hood movie. It's a tightly plotted, well-paced ensemble piece, veering away from the usual main supporting characters of Lestrade and Mycroft to give larger parts to rarer characters such as Harry, Clara, Henry Knight, Robert Frankland, and Louise Mortimer. Irene as the Mother Abbess is a pointed provocation, and Molly and Moriarty shine in their respective roles as midwife and Inquisitor too, but the real stars are, of course, Brother Sherlock as a keen-eyed Franciscan friar and Master Watson as a peasant foot soldier recently returned from Granada (not only a nod to Granadaverse, but also a real war waged in the late 1400's).

The driving force of the story is the series of horrific deaths plaguing the small village of Baskerville. A werewolf is the supposed culprit, but Sherlock sees a mortal hand and sets out to gather his evidence, with John's help.

Excerpt contains mild gore... )

One thing I thought the author did really well was to make use of the beliefs and superstitions of the era, especially the quotes from the Malleus Maleficarum at the start of every chapter. There are also nice period details for flavour, but it's not so overflowing with references and research that it feels like reading an academic treatise.

The secondary plot is the relationship between Sherlock and John. Due in part to Sherlock's vows and in part to the societal attitude toward homosexuality, it's obviously not an easy road, but I thought the author handled it with respect and not at all in a sensationalist manner. I thought it was a brave move to cast Sherlock as a truth-seeker and rational thinker who nonetheless takes his vows seriously and does try to adhere to the good core of the Church's teachings. He is in fact a heretic for the time period, but not because he is actually an atheist or humanist (or at least his character didn't come across that way to me).

Finally, the story has been illustrated throughout by some very talented artists: [livejournal.com profile] kikislasha, BlueStoneArcher, and khorazir. The art alone would be worth a rec.

In addition to the character death warning (neither of the two leads, but multiple canon characters), there is torture, gore, and mention of non-con. I also really want to add a special warning for
the murder of unborn children
because I think it could be quite upsetting for some readers.
[identity profile] pipmer1.livejournal.com
Title: Quintessential
Author: [livejournal.com profile] thisprettywren
Pairing: Sherlock/John
Length: 49,287
Rating: Explicit
Warnings: Canon-typical violence
Verse: Sherlock BBC, AU
Author's summary: In the land of the blind, the one-eyed man is king.


Reccer's comments: Wow, this fic! This takes place in an alternate universe, where everybody lacks at least one of the five senses, or speech. John is a mute, and Sherlock wears gloves for a very particular reason. The story pretty much starts after Series 1, with the same cases as portrayed in the show, but incorporating elements from the author's 'verse. The graphics at the top of each chapter contain click-through links to some supplementary materials that help flesh out/make sense of the world we find our boys in.

The world created here is amazing. Everyone has a tattoo on their wrist, proclaiming what kind of 'variant' they are.. that is, which sense they lack. Every character on the show is some kind of variant... unless they are what is called a 'quin', meaning they possess the capability to experience all the senses. Quins are extremely rare, and lie at the heart of this story. Hence, the title.


Excerpt from the prologue:

"— Sometimes I don't talk for days on end. Potential flatmates should know the worst about each other."

Sherlock's eyes dart up from the screen, searching John's face for a reaction. If he's expecting hesitation or objection, John won't give it to him. With his TID in Sherlock's hands he's robbed of the ability to answer but he tips his chin up, matching the intensity of Sherlock's gaze with his own.

Well, cheers, he thinks. That makes two of us, and he can't help but smile.



[identity profile] unovis.livejournal.com
Hi!
Just a few words on our tags and tagging your recs.

Tags are useful search tools for grouping the recs by categories: by pairing, genre, content, and sources for the stories or other fanworks.

We ask that reccers attach tags that are relevant to the works they rec. You don't have to add everything that applies-- for example, not a character tag for everyone who might appear in the story, or every theme or content. But if Molly has a significant cameo, say, that you think people searching for her might appreciate, then by all means list her in a tag. Likewise if you think this is the addiction story people should read, then use the content: addiction tag.

The required aspects to tag are pairing (if it applies), relationship genre (i.e., gen, slash, or het*), and verse (the source: ACD books, Sherlock BBC, Granada, etc.).

The easiest place to see all of the tags available is in this list of tags.

Tagging is enabled only for the author of the post and the mods. Only the mods can add new tags. We have a beginning list up now, anticipating likely categories and characters. We'll add more as recs are made, if characters and pairings, for example, aren't covered already. You can request a new tag to be added by commenting here or by contacting one of the mods. Keep in mind, again, that we'll be adding character tags as additional characters appear in recs.

Sherlock Holmes and John Watson have been abbreviated as SH and JW in pairings and some other places (e.g., content: sick jw). Since this recs comm is open to all versions of Sherlock Holmes, it seemed the simplest way to identify the characters. Lestrade, Gregson, and Dimmock are listed as "inspector" following ACD book canon, and Moriarty is listed only once by his (their) surname alone. Sir Arthur Conan Doyle is abbreviated throughout as ACD.

*We won't add a category for "slash-if-you-squint" or similar invitations for the reader to see subtext in a story. If the author hasn't labeled her work as slash, then it's genre: gen or genre: friendship.

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