Length: 2168 words
Pairing: not really; could be read as pre-slash, and my goggles are firmly attached
Rating: G (author says T, but nah)
Author's summary: After a few months of living with Sherlock, John gets used to the idea that Sherlock can do magic but chooses not to. But every now and then Mycroft will stop by and John will feel the teakettle lean towards him, or Anderson will get so annoyed that little flashes spark between his fingers and his tech, and John will wonder again why he never sees Sherlock display anything but the purest disinterest. [Your reccer, who edits for a living, itches to change that "disinterest" to "indifference."]
Reccer's remarks: You might expect (John Watson might expect) that if someone with Sherlock Holmes's intelligence, passion for knowledge, and demonstrated devotion to his own brilliance had magical powers, he would use them constantly, until everyone around him was sick of the showing-off. Right? But no; Sherlock won't so much as sing a mug out of a cupboard he can't reach.
This lovely brief story explains why, and in doing so delivers some clever and efficient world-building as well as an affecting look into how much John matters to Sherlock. Take a moment to let the title sink in after you're done reading.
"Song of a Good Man" is set in an S1/post-S1 space and alludes to the first three episodes, but you need not fear any tedious recaps.
Excerpt: Odd, to walk through the streets of London and not catch the pale blue flashes of walls going up and down as soldiers and enemies move; odd to see people walking quickly without adding an extra jolt to their speed with magic-driven boosters or jumping into fusion magic/gasoline vehicles. Odd to look at a hastily-constructed force wall surrounding a classroom in a deserted college and know, deep in one's bones, that it's not good enough to stop a bullet.
Read on the AO3.